KPDS ÜDS OKUMA PARÇASI - 52

The serious writer is an interpreter, not an inventor. Like a good actor, he is an intermediary between a segment of experience and an audience. The actor must pay some consideration to his audience: he must be careful, for instance, to face toward it, not away from it. But the great actor is the one who is wrapped up in the thoughts and feelings of the role he is playing, not the one who is continually stealing glances at the audience to determine the effect of his last gesture or bit of business. The actor who begins taking his cues from the audience rather than from the script soon becomes a "ham": he exaggerates and falsifies for the sake of effects. The writer, too, though he must pay some consideration to his reader, must focus his attention primarily on his subject. If he begins to think primarily of the effect of his tale on his reader, he begins to manipulate his material, to heighten reality, to contrive and falsity for the sake of effects. The serious writer selects and arranges his material in order to convey most effectively the feeling or truth of a human situation. The less serious writer selects and arranges his material so as to stimulate a response in the reader.